《萨乐美》这是一个怎样的故事？
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
1、《萨乐美》这部作品是于何年问世，得以面世的？
《萨乐美》是查尔斯·布莱恩特,艾拉·娜兹莫娃于1923年拍摄上映面向大众的一部精彩剧情片。这部片开创了美国这个时代剧情片的先河，《萨乐美》该影片公映之际，其票房成绩始终稳居海内外市场前三甲，更创下当年的观影纪录，成为那个时代极具代表性的文化盛事。在那个时代艾拉·娜兹莫娃均为最佳演技实力派，艾拉·娜兹莫娃以精湛的演技与惊艳的形象相得益彰，奠定在美国影视的大咖地位。艾拉·娜兹莫娃饰演角色在完播后依然被大众模仿。查尔斯·布莱恩特,艾拉·娜兹莫娃之前曾被观众怀疑过演技能力，而《萨乐美》却奠定查尔斯·布莱恩特,艾拉·娜兹莫娃剧情片别样风格。《萨乐美》国外首映时曾获剧情片和媒体广泛报道，被认为其优秀程度，是完全能与同时期（指1980年代）好莱坞优秀剧情片齐名。
2、被称为剧情片的巅峰之作的《萨乐美》，是查尔斯·布莱恩特,艾拉·娜兹莫娃最好的作品之一吗?
从查尔斯·布莱恩特,艾拉·娜兹莫娃斩获剧情片最佳导演奖,我就觉得这部《萨乐美》是他最好的剧情片。虽然查尔斯·布莱恩特,艾拉·娜兹莫娃后来还拍出来了8分评价剧情片，但是《萨乐美》是他剧情片的经典作品之一。
3、《萨乐美》为什么能成为巅峰之作？
提起美国剧情片，大众肯定会想到《萨乐美》的名字。这部由查尔斯·布莱恩特,艾拉·娜兹莫娃导演，艾拉·娜兹莫娃主演的《萨乐美》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连查尔斯·布莱恩特,艾拉·娜兹莫娃导演和艾拉·娜兹莫娃，都没想到这部剧情片会得到这样好的反响。查尔斯·布莱恩特,艾拉·娜兹莫娃恩师昔日所言，这部杰作的诞生，恰是一群在现实中跋涉的失意者，将生命的困顿与精神的求索共同熔铸于艺术之中的结晶。因为在《萨乐美》拍摄之前，艾拉·娜兹莫娃已经有多年无戏可拍，而艾拉·娜兹莫娃主演的剧情片，票房表现始终未尽如人意，而这样几位际遇相似的创作者竟能相遇，未尝不是一种命运的馈赠。正是这种共通的失意感，与那份不容玷污的艺术家尊严相互交织，他们在剧情片中投入的激情，是我们无法想象的，其实《萨乐美》剧中人跌宕的心路与动人的命运，何尝不是照见现实的一面明镜？其中映出的，正是你我于世事洪流中，那份相似的挣扎、无奈与不得不为的妥协，用他们的实力成就了这部经典剧情片，也成就了他们自己！
4、媒体如何评价《萨乐美》?
《萨乐美》不仅业界有口皆碑，其魅力更深植于寻常巷陌，赢得了跨圈层的真挚热爱，《萨乐美》一经播放立刻引来关注，不仅艾拉·娜兹莫娃演的好而且该剧情片故事情节也非常紧凑，草莓电影网（www.battle-game.com）叙事如行云流水般酣畅，情节推进却又丝丝入扣，始终牢牢牵引着观者的心绪。即使目前《萨乐美》收视率不佳但是该片目前受欢迎程度已经蒸蒸日上。该剧情片主演艾拉·娜兹莫娃，她在该剧情片中的演技可圈可点，受到艾拉·娜兹莫娃演的好而且该剧情片迷的认可。
5、《萨乐美》剧情片的主要内容
《萨乐美》是一部剧情片剧情片，由导演：查尔斯·布莱恩特,艾拉·娜兹莫娃执导，主演：艾拉·娜兹莫娃，
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
6、《萨乐美》是查尔斯·布莱恩特,艾拉·娜兹莫娃导演的一部经典的剧情美国片大全，该剧讲述了：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adapta，想看更多的相关影视作品，请收藏我们的网站：www.battle-game.com
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
